Education
2023 Goldsmiths MFA Fine Art
2013 Camberwell College of Arts, BA (Hons) Painting
2012 SUNY Purchase, State University of New York
Solo Exhibitions ⭐ for images
2022 ⭐ Old Bones Bobinska Brownlee New River, London
2020 ⭐Instrument Thames Side Studios Gallery, London
2019. ⭐ 👀 Brockley Gardens, London Curated by Billy Crosby and Thomas Greig
Group Exhibitions
2023 Winter Sculpture Park (upcoming) Bexley, London
2022 Present Tense Goldsmiths, London
GHOST SHOW London Curated by Kavitha Balasingham and Rory Beard Arts Council Funded
COSMOSES Xxijra Hii, London an Exhibition in 5 parts, co-curated with Yuli Serfaty, Gillies Adamson Semple and XXijra Hii
DINOSAUR COAST Eston Art Centre, North-East Arts Council Funded
London Micro Sculpure Fair Goldsmiths, London
Summer Breakdown Bobinska Brownlee New River, London
2021 The Sompsons Cheap Cheap Gallery, Birmingham
FUNHOUSE Chris’ Studio, London
2019 Sukkot New York, Curated by Hanna Umin
2020 Mostyn Open 21 MOSTYN, Wales
Creekside Open 2019 Selected by Brian Griffiths APT Gallery, London
Creekside Open 2019 Selected by Sacha Craddock APT Gallery, London
2018 ⭐ Fatal Attraction Thames-Side Studios Gallery, London
Group Show 41/42, Woolwich, London Curated by Christopher P Green
Pleasure Garden 21b Wykham Road, London Curated by Thomas Greig
2017 Barbican Arts Group Trust Open 2017 London Selected by Florence Peake and Tai Shani
⭐ Changelings The Flying Dutchman, London
2016 ⭐ Show Home Safehouse 1, London
2014 Enterprise Dig Space, London Curated by artist in residence Hanna Umin
Talks
2022. In conversation with Brian Griffiths, BBNR Gallery part of ‘Old Bones’
Publications
2021 Young Artists in Conversation Interviewed by David McLeavy
Floorr Magazine Issue 26 Interviewed by Rochelle Roberts
Flints Magazine, Artists Feature
2018 Ghost Scraps by Studio Novel
Prizes/ Grants
2022 DYCP Grant, Arts Council England
Oppenheim John-Downes Memorial Trust.
2020 Gilbert Bayes Trust, Scholarship
Freelands Foundation, Artists Support Grant
2019 Prize Winner, Creekside Open selected by Brian Griffiths
2017 Recipient, Eaton Fund Grant